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Identifier	000422418
Title	Εισαγωγή στην ελληνική χάϊκου και τάγκα ποίηση : από τον μεσοπόλεμοστη "Γενιά" του '70
Alternative Title	Introduction to Modern Greek haiku and tanka poetry : from the Interwar poetic period to the poetic “generation” of the ’70s.
Author	Πετικάς, Βασίλης
Thesis advisor	Πολυχρονάκης, Δημήτρης
Abstract	This master thesis attempts for the first time in Modern Greek letters a first comprehensive investigation of Greek poetic production of haiku and tanka, the two most popular genres of classical lyrical Japanese poetry tradition. In the six chapters of this paper the reader has the opportunity to follow the different streets and the alternative artistic and aesthetic preferences of a number of creators within five Greek poetic “generations”, who in the long course of their poetic journey systematically or occasionally dealt with the two Japa-nese forms. The two introductory chapters refer to the basic principles governing the two Japanese species, a brief historical overview of the two species (mainly haiku), and a review of western artists' communication channels with Japanese artistic traditions to make the causes, conditions and ways in which Greek creators chose the two forms as a means of their poetic expression. The next four chapters concern the recruitment of the two species by the Greek poets, starting with the first experiments of the new-symbolism poetic "gen-eration" of the interwar period and reaching to the new formalist tendencies and post-modern experiments of the poetic "generation" of the ’70s. The work examines the pro-duction of haiku and tanka or very short poetic genres (one verse poems, two or three lines poems) that are adjacent to the two Japanese forms, taking into account the different aes-thetic climate and the alternative artistic trends of each era, the poetic background and the idiosyncratic identity of each creator from 1925 to the present day. Following the given herd literature references in order to create a sense of the linear historical and literary evo-lution of the events, the present study exams the main production of the following poets: Y. Th. Stavropoulos, Nikolaos Hayer - Boufidis, Pavlos Krinaios - Michailidis, Yiorgos Seferis, D.I. Antoniou, Zisimos Lorentzatos, Matsi Chatzilazarou, Anestis Evangelou, Tasos Korfis, Yiorgis Pavlopoulos, Yiorgos Georgousis, Yiorgos Veis, Nikolaos V. Ladas, Nasos Vagenas, Mihalis Ganas, Argyris Hionis, Christos Toumanidis, Yiannis Patilis and the eclectic affinities some of them with the short poetry of Dinos Christianopoulos and Yiannis Ritsos.
Language	Greek
Subject	A and B post-war poetic "generations"
	Exoticism
	Greek-centered poetry
	Greguerias
	Haiku
	Imagism
	Japan
	Japanism
	Lyrical poetry
	Minimalism,
	Modernism
	Naturalism
	New-formalism
	New-symbolism
	One verse poems
	Orientalism
	Poetic "generation" of the ’30s
	Poetic "generation" of the ’70s.
	Poetic “generation” of the in-terwar period
	Postmodernism
	Rich iconography,
	Short poetry
	Symbolism
	Tanka
	Two verse poems by Greek folk tradition
	Vorticism
	«Γενιά» του ’30
	Α΄ και Β΄ Μεταπολεμικές ποιητικές «γενιές»
	Βορτικισμός
	Γκρεγκερία
	Δίστιχα δημοτικής παράδοσης
	Εικονισμός
	Ελληνικότητα
	Εξωτισμός
	Ιαπωνία
	Ιαπωνισμός
	Λυρική ποίηση
	Μεταμοντερνισμός
	Μινιμαλισμός
	Μοντερνισμός
	Μονόστιχη ποίηση
	Νεοσυμβολισμός
	Νεοφορμαλισμός
	Ολιγόστιχη ποίηση
	Οριενταλισμός
	Πλούσια εικονοποιία
	Ποιητική «γενιά» του Μεσοπολέμου
	Ποιητική «γενιά» του ’70
	Συμβολισμός
	Τάνκα
	Φυσιολατρία
	Χάϊκου
Issue date	2019
Collection	School/Department--School of Philosophy--Department of Philology--Post-graduate theses
	Type of Work--Post-graduate theses
Permanent Link	https://elocus.lib.uoc.gr//dlib/e/8/5/metadata-dlib-1557918883-457263-24067.tkl
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